THE LINE

MELBOURNE, 2023-4

Nicholas Walton-Healey and Kevin Brophy / Photograph by Mark Phillips

The Line is the provisional (working) title of an ongoing documentary project undertaken by the photographer in collaboration with writer Kevin Brophy. Conceived in response to the proposed re-design of the Upfield Line as sky rail, the project began as an attempt to capture local sites and stories relating to an area destined to change with the commencement of this major engineering project. With the support of the Merri-bek City Council and the Brunswick Community History Group, the collaboration deepened, entailing heightened community engagement, this being furthered by the publication of an article about the project in the Brunswick Voice (available here). Although the re-design of the Upfield rail is now ‘postponed,’ the collaborators have continued generating an archive of photographic and written materials, aiming to present these in the form of both an exhibition and book in the second half of 2025.

NT LIVED EXPERIENCE NETWORK

DARWIN, 2022

Noelene Armstrong and Nicholas Walton-Healey

Throughout the dry season of 2022, photographer Nicholas Walton-Healey worked and collaborated with Noelene Armstrong, a foundational member of The NT Lived Experience Network. Their efforts led to The Stories of Recovery and Healing Project, this involving the photographer interviewing and photographing several Darwin-based network members for the purpose of making their personal stories of recovery and healing visible. While the final outcome (website archive) remains a work-in-progress, The Network developed an artwork from the project material, which received The Judges Award at the 26th Annual Human Rights Art Awards & Exhibition in Darwin.

ANAT SPECTRALIVE

MELBOURNE, 2022

Nicholas Walton-Healey and ANAT CEO Melissa DeLaney

In April 2022, the photographer was commissioned by ANAT (Australian Network for Art and Technology) to undertake a series of assignments revolving around the SPECTRA Live event in Melbourne. Beginning with a Welcome To Country and smoking ceremony by Wurundjeri Elder Perry Wandin, this three-day extended to include a curated series of seminars, workshops, and live performances, the majority being held at Science Gallery Melbourne. In addition to event documentation, the assignments also encompassed collaborative forms of portraiture, as undertaken with ANAT board member Megan Kelleher, and legendary performance artist Stelarc.

STAR HEALTH

MELBOURNE, 2021

Nicholas Walton-Healey / Photograph by Ian McBryde

The onset of the COVID-19 pandemic led the HRAR (High-Risk Accomodation Response) Community Engagement Manager of Star Health to conceive The Positive Stories Project. Intended to heighten awareness of community health and safety, this project involved photographing and interviewing over a dozen residents and outreach professionals of the high-risk community in the South Melbourne area. Each portrait sessions occurred in a location chosen by the participant, and extended to include the solicitation of a narrative regarding their decision to receive a COVID-19 vaccination.

These materials were then combined into billboard posters which circulated throughout inner-Melbourne areas. The posters also incorporated a QR code, directing interested onlookers to a website containing the entire narratives, and an extended selection of photographs. While facilitating Star Health messaging about COVID-19 Community Safety, this assignment also aligned with my broader interest in using the medium of photography to promote the expression of local voices.

MISSION TO SEAFARERS

MELBOURNE, 2019

Encountering People, Places and Things is the title of a photographic exhibition resulting from a collaboration undertaken between the photographer and Professor Uma Kothari (The University of Manchester). This collaboration revolved around Melbourne’s Mission To Seafarers, and an associated research journey transpiring through Uma’s fellowship with The University of Melbourne. The collaboration involved photographing different groups and individuals associated with The Mission, and extended to the Melbourne Docks. It involved a curatorial process in which the contemporary photographs were presented alongside several re-worked images from The Mission’s archive. The historical and contemporary photographic narrative generated through this process exhibited in The Mission’s Norla Dome from June 21-July 5, 2019.